媒介考古与多维电影文本探查——论近现代中国电影文学史料的发掘与研究

On Media Archaeology and Multi-dimensional Film Texts:the Excavation and Research on Historical Materials of Modern Chinese Film Literature

人文学科的史料化转向,是建构学科话语体系的重要依托。从浩若烟海的民国报刊杂志上倾力发掘、分析近现代电影文学史料,是提升中国现代文学和现代电影史研究活力与水准的重要一役,功在当下、福泽千秋。因此,在文化地理学和媒介考古学视野下,回到历史现场,坚持跨学科、全方位、多视点地对近现代电影文学语境、观念、生产、批评、传播等全要素资料,进行全面搜集、整理、校勘,必须在诸多方面克服观念和媒介障碍,解决“历时性”和“共时性”统一等问题,在三个向度上达成目标——推进“现代文学—电影史料学”的全新探索,确立“中国现代文学”主体框架中的“现代电影文学版图”;深化现代文学研究,培育现代电影文学研究的代表性团队;力争中国现代文学视域内电影文学资料的“一网打尽”和现代电影关联资料的“精加工”。近现代电影文学史料的发掘深耕,包含着复原中国现代电影文学完整发展轨迹、推动中国现代电影文学史料学科升级、宣示中国现代电影文学新历史书写范式等创新点。

The turn to historical materials in humanities is very important for the construction of disciplinary discourse system.It is an important move to enhance the vitality and research level of modern Chinese literature and modern film history by excavating and analyzing the historical materials of modern film literature from the newspapers and magazines in the period of the Republic of China that will benefit the present and future studies as well.Therefore,from the perspective of media archaeology with reference to history,this essay collects,sorts and collates the materials of modern film literature with interdisciplinary,comprehensive and multiple views such as,its contexts,concepts,production and criticism to overcome barriers in concepts and media and to solve problems,such as the unity between“the diachronic”and“the synchronic”to achieve their goals in three dimensions.Firstly,it promotes the new exploration in the study of“modern literature--film history”and establishes the“modern film literature map”in the framework of“modern Chinese literature”.Secondly,it deepens the study of modern literature and cultivates the representative teams of modern film literature study.Thirdly,it strives to“cover all the film literature materials”in modern Chinese literature and to“refine”the related materials with modern films.In summary,the exploration and research of modern film literature materials embody the restoration of the complete development track of Chinese modern film literature,promote the disciplinary upgrading of historical studies on modern Chinese film literature,and announce the innovations of modern Chinese film literature with new historical writing paradigm.