丁西林战时喜剧的艺术转型

The Artistic Transformation of Ding Xilin’s Wartime Comedies

丁西林的战时喜剧主要创作于30年代末期,代表作《三块钱国币》《等太太回来的时候》《妙峰山》。由于国内政治环境的变化、文艺运动的转向及其自身的遭遇,其作品中的创作模式、价值取向、关注点都有了一定程度的转变。在抗战语境基础上探讨其叙事视角的大众化,自觉进步的革命政治倾向、戏剧语言的政治化,并以具体的文本分析丁西林战时喜剧的艺术转型。

Ding Xilin’s wartime comedies were mainly created in the late 1930s.His masterpieces are Three-Yuan National Currency,When the Wife Comes Back,and Miaofengshan.Due to the change in domestic political environment,the turn of literary and artistic movement and his own experience,certain changes have taken place on his creative mode,value orientation and focus of attention.In the context of the Anti-Japanese War,this paper discusses the popularization of narrative perspective,the revolutionary political tendency of conscious progress,and the politicization of drama language,as well as the art transformation of Ding Xilin’s wartime comedies with specifi c texts.