光宣诗坛情感论的复古与新变

Restoration and Revolution of Emotion Theory in the Late Qing Dynasty:Guangxu and Xuantong Periods

遭逢“三千年未有之大变局”的晚清是社会发生大“转型”的时期。此时诗坛,各派悉数登场,理论纷呈,“百家争鸣”。在新旧政体、新旧文化互相纠缠和相持斗争中,光宣诗人内心的复杂与彷徨、萧索与孤寂,历经复古与革新的锤炼,在诗坛上呈现明显的“过渡轨迹”。有对传统“治情”模式的执着回归,有对孤独重“我”的情感觉醒,还有中西思潮下对情感的大胆突破。对光宣诗坛情感论的研究,有助于进一步理解光宣诗坛如何推动中国诗歌由古典走向现代。

The late Qing Dynasty saw a plethora of“great changes unseen in three thousand years”with specific hallmarks of tremendous societal“transformation.”In the struggle between the regimes and cultures,the inner complexity and hesitation,desolation and loneliness of poets in Guangxu and Xuantong(hereafter Guang-xuan)periods have experienced the tempering of restoring ancient ways and innovation,showing obvious“transitional”features in poetry circles.Among these features are a constant return to the ancient style of“emotion”,an emotional awakening of loneliness and an emphasis on“self”and a bold breakthrough in emotion under Chinese and Western cultural backgrounds.The research on the emotional theory of Guang-xuan poetry,therefore,is helpful to further understand how Guang-xuan poetry promotes Chinese poetry from classical poetry to modern poetry.