圆明园文化遗产的沉浸式体验建构研究——以坐石临流景区为例

Research on the Construction of Immersive Experience of Yuanmingyuan Cultural Heritage——Take the Example of Zuoshi Linliu Site Scenic Spot

为规避数字信息时代下,沉浸式体验普遍存在的技术应用商业化、声光电设计泛滥化、形式互动打卡化等"泛娱乐化"现象,真正实现沉浸式体验在叙事性、体验性、互动性和技术性方面的融合统一。基于内容故事性、情境通感性、受众主体性及技术匹配性等维度的建构原则,以《圆明园四十景图咏》之一的"坐石临流"为研究对象,通过运用文献分析法、田野调查法和案例研究法,尝试呈现坐石临流景区的沉浸式体验场景,以期能够促进圆明园文化遗产的活态发展。

In order to avoid immersive experience in the digital information age, the ubiquitous commercialization of technology applications, the proliferation of sound and light design, and form-interactive check-in and other "pan-entertainment" phenomena, and truly realize immersive experience in narrative,experiential, and interactive Integration and unification of technical aspects. Based on the construction principles of the content story, contextual sensibility, audience subjectivity, and technical matching, the Zuoshi linliu site scenic spot, one of the "Forty Scenes of the Yuanmingyuan" as the research object, through the use of document analysis,field the investigation method and case study method try to present the immersive experience of Zuoshi Linliu site scenic spot, in order to truly realize the living development of the cultural heritage of Yuanmingyuan.