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中国现代文学史教材中的苏区书写 被引量:1

Soviet Narration in Chinese Modern and Contemporary Literary History
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摘要 中国现代文学史教材中的苏区书写,自新中国成立即已开始,到二十世纪八九十年代陆续结束。苏区叙述在文学史编纂中的起伏变化直至"离场",关联着文学史书写的整个思潮背景的动态变迁,也关联着社会转型期文化价值的不断调整。在如今倡导"文化自信"和讲好"中国故事"的时代语境下,将苏区文艺重新纳入人民文艺的叙事脉络,使其重返文学史场域,以期完整描述二十世纪中国现当代文学图景,其应成为传承苏区精神的重要路径与课题。 The writing of the Soviet area in the history of modern and contemporary Chinese literature began immediately after the founding of The People′s Republic of China and ended in the 1980 s and 1990 s.The ups and downs of the narrative of the Soviet area in the compilation of literary history and its off-the-field are related to the dynamic changes of the entire ideological background of the writing of literary history and also to the continuous adjustment of cultural values during the social transformation period.In the context of the age that advocates"cultural self-confidence"and tells"Chinese stories"well,the literature and art of the Soviet area are re-incorporated into the narrative context of people′s literature and art,so that it can return to the field of literary history,so as to fully describe the landscape of modern and contemporary Chinese literature in the 20 th century,which should become an important path and subject for inheriting the spirit of the Soviet area.
作者 廖美琳 LIAO Mei-lin(School of Literature and Law,East China University of Technology,Nanchang 330013,China)
出处 《东华理工大学学报(社会科学版)》 2021年第6期615-621,共7页 Journal of East China University of Technology(Social Science)
基金 江西省社会科学“十三五”(2020年)基金项目“1920年代的安源工人歌谣研究”(20WX11) 江西省十三五教育科学规划重点项目“苏区‘国语’教科书文献整理与研究”(20ZD037) 东华理工大学博士科研启动基金项目“1920年代的安源工人歌谣研究”(DHBK2019350)。
关键词 文学史 苏区叙述 “重写文学史” literary history Soviet narrative "rewriting literary history"
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