基于福建民间舞与西方芭蕾舞交融视角的女子群舞探索--女子群舞《春采》编创理论研究与实践

Exploration of Women's Group Dance from the Perspective of the Integration of Fujian Folk Dance and Western Ballet——Theoretical Research and Practice on the Compilation of Women's Group Dance Spring Mining

福建民间舞蹈有着很多种形式,地域特色非常明显,表演风格较为独特;西方芭蕾舞属于古典艺术,更加注重严谨的程式和规范。文章从福建民间舞与西方芭蕾舞交融的背景、福建民间舞与西方芭蕾舞的表演特征、舞蹈《春采》的创作思路和编创手法、福建民间舞与西方芭蕾舞交融带来的影响和启示四方面,探索基于福建民间舞与西方芭蕾舞交融视角的女子群舞,并对其各方面的表现手法如服装、道具、音乐、动作、风格以及情感等进行深入探究。

Fujian folk dance has many forms,with obvious regional characteristics and unique performance style;western ballet belongs to classical art and pays more attention to rigorous procedures and norms.This paper explores the women's group dance based on the perspective of the integration of Fujian folk dance and western ballet from four aspects:the background of the integration of Fujian folk dance and western ballet,the performance characteristics of Fujian folk dance and western ballet,the creative ideas and editing techniques of the dance Spring Mining,and the influence and enlightenment brought by the integration of Fujian folk dance and western ballet,it also makes an in-depth exploration of its various expression methods,such as clothing,props,music,action,style and emotion.