摘要
中国的乡村博物馆是以20世纪末的生态博物馆为肇始,逐步向小型、服务型的当代乡村博物馆的方向发展。其存在意义也从针对少数民族区域的生态环境、文化遗产的全面保护转而为广大乡村地区加强文化自我认同、丰富精神生活、展现地域文化发挥积极作用。近年来,乡村博物馆建设与乡村旅游开发辅车相依,也面临相似的困境。以湖南长沙县田汉文化园为例,以戏剧化的情境空间构建的角度分析布景式的空间体验,为纠正时下符号化、图像化、拼贴式的设计乱象提供参考。
Chinese village museums originated from the ecological museums that were born at the end of the 20 th century,and gradually developed in the direction of small-scale,service-oriented functions,and modern facilities. At present,the village museum has shifted from focusing on the overall protection of the regional ecological environment and cultural heritage to playing an active role for the locals in strengthening cultural self-identity,enriching spiritual life,and displaying regional culture. With the popularity of the rural tourism industry,village museums have developed rapidly but are also facing some difficulties. Taking Hunan Tianhan Cultural Park as a research case,the paper attempted to analyze the setting-style space experience from the perspective of the dramatic situational space,so as to provide new explorations and attempts in addition to the prevailing design phenomena such as symbolization,imagery,and collage.
作者
吕昌
魏春雨
LYU Chang;WEI Chunyu(College of Architecture,Hunan University,Changsha 410082,China)
出处
《工业建筑》
CSCD
北大核心
2021年第10期74-80,共7页
Industrial Construction
关键词
乡村博物馆
乡土建筑
公共空间
戏剧性
情境空间
village museum
vernacular architecture
public space
dramatic
situational space
