石峡遗址玉琮形制与纹饰设计流变解读

Interpretation of the Evolution of Jade Cong’s Shape and Ornamental Design at Shixia Site

通过梳理石峡遗址玉琮不同阶段形制与纹饰设计的变化,以及良渚文化和同时期其他地区玉琮的形制、纹饰和功能的分析,发现广东境内出土的玉琮与良渚文化关系极为密切,石峡遗址的多节玉琮更是直接来自于太湖地区,而那些纹饰设计出现颠倒或发生较大改变者应为本地仿制品。龙山时代,玉琮虽然传播和辐及的范围十分广泛,但是在大部分地区其功能都发生了变化,只有广东地区的玉琮仍最大程度地坚守着传统与信仰。石峡遗址玉琮形制与纹饰设计流变,所反映出的这种文化传播方式、接收程度与再创作,突出地体现了一种强势文化在对外传播和扩散的过程中,因地因时而制宜。这或许可以提示我们,利用传统文化元素进行再设计,欲意达到传统与现代的融合与契合,更理应如此。

By combing through the changes in the shape and decoration design of jade cong at different stages of Shixia site,as well as the analysis of the shape,decoration and function of jade cong in Liangzhu culture and other areas of the same period,it is found that the unearthed jade cong in Guangdong had a very close relationship with Liangzhu culture.The multi-section jade cong at Shixia site come directly from Taihu Lake area,and those with upside-down or major changes should be local imitations.Druing Longshan period,although the spread and coverage of jade cong was very wide,its function has changed in most areas.Only the jade cong of Guangdong still adheres to the tradition and belief to the greatest extent.The evolution of jade cong’s shape and ornamentation design at tShixia site reflected this cultural dissemination mode,reception level and re-creation,which prominently reflectsed a strong culture in the process of external dissemination and diffusion should change at different areas and periods.This may remind us that when we use traditional cultural elements to redesign to achieve the integration of tradition and modernity,we should aslo be full of flexibility.