江山无限景,都聚一亭中——中国古代山水画中亭的作用

The Boundless Scenery of the Rivers and Mountains,All Gathered in a Pavilion:The Role of the Pavilion in Ancient Chinese Landscape Paintings

中国古代山水画中描绘的山川湖泊、乡野村居、亭台楼阁表现了画家心中理想的人居环境,亭是画中营造意境、表达画家情绪的重要元素之一。文章以中国古代山水画中有亭的著名画作为研究对象,结合绘画理论,从画面构图、画中观游、场所情绪三个方面来分析山水画中亭的作用,解读中国古代山水画中亭的独特内涵和象征意义,为现代亭的设计以及人居环境的营造提供参考。

The mountains and lakes,rural villages,pavilions and pavilions depicted in ancient Chinese landscape paintings express the painter’s ideal living environment.The pavilion is one of the important elements in the painting to create an artistic conception and express the painter’s emotions.This paper takes the famous paintings with pavilions in ancient Chinese landscape paintings as the research object,combined with painting theory,analyzes the role of pavilions in landscape paintings from three aspects:picture composition,viewing tours in the painting,and mood of the place,and interprets the unique connotation of pavilions in ancient Chinese landscape paintings.And symbolic meaning,provide reference for the design of modern pavilion and the construction of human settlement environment.