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奏鸣曲式再现的多种可能性

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摘要 奏鸣曲式的结构原则即呈示部中两个主题之间的矛盾对比,在再现部中矛盾解决。在大多数的奏鸣曲式结构的作品中均遵循这种对比与统一的结构原则。但作曲家也有突破这种曲式结构,使音乐在呈示部中对比,在再现部中进一步对比,这就出现了再现部具有多种可能性,不再是单纯的矛盾解决统一。
作者 张梓涵
出处 《黄河之声》 2021年第19期10-13,共4页 Song of The Yellow River
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二级参考文献7

  • 1Charles Rosen, Sonata Forrru. New York, W.W. Norton & Company, Inc. , 1988, pp. 8 -9.
  • 2James Webster, "Sonata Form," in Stanley Sadie (ed.) The New Grove Dictionary of Music and Masid- arts . London: Macmillan Publishers Limited, 2001, Vol. 17, pp. 690-691.
  • 3James Mathes, The Analy-sis of Music Form, Upper Saddle River, NJ: Pearson Prentice Hall, 2007, p. 102.
  • 4William Caplin, Classical Form: A Theory of Formal Functions for the Instrumental Music of Haydn, Mozart, and Beethoven, UK: Oxford University Press, 1998.
  • 5A sentence is a phrase corn-prised of a statement, a repetition, and a continuation that leads to a cadence. The three parts of a sentence are normally in proportions of 1 : 1 : 2 or multiples thereof. These proportions are also a defining characteristic of a sentence.
  • 6James Mathes, The Analysis of Music Form, Upper Saddle River, NJ: Pearson Prentice Hall, 2007, p. 42.
  • 7http://imslp.org.

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