论倪元璐在书法史上之接受

The Acceptance of Ni Yuanlu in the History of Calligraphy

考索明清民国文献,倪元璐在书法史上之接受,晚明以良朋推许为主,入清因赐谥受到关注,至清中期则逐渐沉寂。晚清民国,一方面因碑学大兴,倪书中之变革元素,被碑学家引为变法之历史参照;另一方面,因其时干戈扰攘,伦理派书学抬头,拥有变革书家和殉国良臣双重身份之倪元璐,成为人书俱传之典型代表,始确立其历史地位。就此个案考察,不难发现,以倪元璐为代表之晚明变革书风本身缺乏典范意义,书家在书法史上亦多以群体面貌出现,而且只有在特殊之历史时期,通过伦理视角,才能得到广泛审视。

Researching and exploring the literature of the Ming and Qing dynasties and the Republic of China,in the case of the acceptance of Ni Yuanzhang in the history of calligraphy,he was mainly esteemed and commended by Liang Peng in the late Ming dynasty,received attention because he was bestowed a posthumous title by the emperor in the early Qing dynasty,and gradually drew no attention in the middle of the Qing dynasty.During the late Qing dynasty and the Republic of China,on the one hand,because of the flourishing of study of stone inscription,the elements of the revolution in Ni Yuanlu s calligraphy works were cited by the scholars for study of stone inscription as historical references for the reforms;on the other hand,due to the social unrest of the time,the ethical scholars for calligraphy rose.Having the dual identity of the revolutionary calligrapher and good minister dying for the country,Ni Yuanlu became a typical representative who was on everybody s lips and widely read,and began to establish his historical status.In this case study,it is not difficult to find that the revolutionary calligraphy style of the late Ming dynasty,represented by Ni Yuanlu,lacks the model meaning.The calligraphers often appear as groups in the history of calligraphy,and they are likely to be widely examined from the perspective of ethics in the special historical period.