摘要
谢榛,"后七子"之一,明代山人。一生创作较多隐逸诗歌,其中"萝"是出现最多的意象,共有萝岩、云萝、青萝、松萝、烟萝、薜萝、萝衣等种类。作为物象与情感的连接,"萝"是谢榛归隐情怀的代言,也是就"情景交融""景媒情胚""虚景实情"等诗歌理论的演绎。谢榛在隐逸诗中表现出山人的忧虑与挣扎,是明中期山人生存与精神困境的写照。同时,萝承载着他的情景论诗学与柔性诗风,极具个人特色。
Xie Zhen, one of the "Latter Seven Masters", also a hermit in the Ming Dynasty. He composed many hermit poems in his life, among which trailing plants are the images with largest number and various types. As the connection between imagery and emotion, trailing plants are the endorsement of Xie Zhen′s hermit feelings, and also the interpretation of poetry theories. Xie Zhen′s worries and struggles in his hermit poems are the portrayal of hermits′ survival and spiritual predicament in the mid-Ming Dynasty. At the same time, his situational poetics and soft poetic style with special personality are found in trailing plants.
作者
陈林立
CHEN Linli(College of Liberal Arts,Ji′nan University,Guangzhou,Guangdong,China 510632)
出处
《昆明学院学报》
2022年第1期112-118,132,共8页
Journal of Kunming University
基金
2020年国家社科基金年度项目“明代前后七子羽翼研究”(20BZW094)。
关键词
谢榛
隐逸诗
萝
意象
山人
Xie Zhen
hermit poems
trailing plants
image
hermits