器物、身份、美学——乾隆咏瓷诗(鼎、尊、炉)的叙事研究

Artifacts,Identity,Aesthetics——A Narrative Study of Qianlong’s Poems on Porcelain Appreciation(Ding,Zun and Furnace)

陶瓷作为中国古代器物的代表,不仅反映了中国人的造物智慧,也有着丰富的文化内容。乾隆作为一位清代皇帝同时也是一位"文人墨客",一生写作了大量的诗歌,其中咏陶瓷诗有249首。本文仅就乾隆瓷诗中关于鼎、尊、炉的部分,试以瓷诗对器物的咏叹,分析其中的身份、美学与历史叙事,以窥乾隆的帝王心理、审美情趣与中华文化认同。

Ceramics,as the representative of ancient Chinese artifacts,not only reflects the creative wisdom of Chinese people,but also has rich cultural connotations.As an emperor of the Qing Dynasty and also a prolific“writer”,Qianlong wrote a large number of poems,among which 249 are about ceramics.This paper,focusing only on the parts about Ding,Zun and furnace in Qianlong’s porcelain poetry,tries to analyze the identity,aesthetic and historical narrative in the chanting of porcelain poetry so as to get a glimpse of Qianlong’s imperial psychology,aesthetic taste and Chinese cultural identity.