清俊和融——元初名臣程钜夫的题画诗风

Delicacy and Harmony—A Study of Poems by Cheng Jufu,a Famous Minister in the Early Yuan Dynasty

程钜夫是最早进入元朝中枢机构的馆阁文臣之一,然其诗歌研究至今寥寥,较有艺术特色的题画诗更长期为学人所忽略。程钜夫题画诗的情感内涵以钦慕归隐为主体,主要采用复原型、评议型两种创作模式,对画作进行再创造处理。受其品性、诗学及艺术观念影响,其题画诗形成“清俊和融”的风貌。其题画诗承续元初南北诗风融合的硕果,对元中期“雅正”“清和”诗风及后学名家的题画诗创作亦有一定的引导作用。

Cheng Jufu was one of the earliest civil officials who entered the central institution of the Yuan Dynasty.However,so far,there have been few studies of his poems,and especially painting poems with more artistic characteristics have been neglected by scholars for a long time.The emotional connotations of Cheng Jufu's painting poems are based on admiration and seclusion.The paintings are recreated by two major modes:reprototype and critiquing type.Influenced by his character,poetics and artistic concepts,the style of"delicacy and harmony"is formed.Cheng Jufu inherited the integrated styles of the north and the south in the early Yuan Dynasty,which has played the guiding role in the poetic style of"elegance"and"harmony"in the middle Yuan Dynasty and the creation of painting poems of later scholars.