清末以来秦腔在河西走廊传播情况探析——基于河西木偶、皮影戏班的考察

On the Spreading of Shaanxi Opera in Hexi Corridor in Late Qing Dynasty:A Case Study Based on Shaojia Puppet and Shadow Play in Zhangye

文章以河西走廊最具代表性的张掖邵家与武威马家木偶、皮影戏班传承人口述资料为依据,在笔者田野调查的基础上,通过对其家族传承秦腔剧目的统计与分析,对清末陕西秦腔已在河西走廊普遍传播这一音乐现象进行有力而充分的论证,为音乐口述史学研究提供新维度。

Puppets and shadow puppets are typical local art in Hexi Corridor.Based on the field data and the oral information from the inheritor of Shao family in Zhangye and Ma family in Wuwei,through the statistical analysis of the Qin opera which was inherited by families,this paper illustrates the musical phenomenon that Qin Opera in Shaanxi Area had been widely spread in Hexi Corridor in the late Qing Dynasty.This discussion not only has some sig⁃nificance on the study of Hexi folk music,but also provides a new dimension for the study of music dictation history.