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音乐在场——论帕斯捷尔纳克抒情诗的音乐性

The Presence of Music:On the Musicality of Boris Pasternak’s Lyric Poetry
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摘要 帕斯捷尔纳克的童年,浸淫在母亲的钢琴声中;少年时代,斯克里亚宾的音乐是其"赖以为生的精神食粮";诗人曾梦想成为作曲家,为音乐付出了六年的"辛劳、希望与不安"。虽然他最终放弃了音乐,但把自己生命中"最珍贵的"事业以不同方式渗透到文学创作中。帕氏的诗歌,总是令人感觉音乐的在场。本文聚焦帕斯捷尔纳克的抒情诗,探究诗作中音乐在场的方式及其内涵。诗作中高频的音乐术语构成了音乐在场的显性表达;诗作中的声音世界不仅与音乐相伴,而且可以引起音乐作品的联想,体现出同音乐之间隐性的联系。帕氏诗作中的音乐性蕴含音乐就是自然、就是生活的哲理。在诗人的笔下,大自然、生活、音乐、诗歌浑然一体,构成了独树一帜的音诗世界。 In his childhood,Pasternak was immersed in the sound of his mother’s piano;and in his adolescence,Scriabin’s music was his “spiritual sustenance”.With the dream of becoming a composer,the poet devoted six years of “toil,hope and anxiety” to music.Although he eventually gave up music,this “most precious” cause of his life permeated into his literary work in various ways.Readers can always sense the presence of music in Pasternak’s poems.Focused on Pasternak’s poetry,this study explores how music is present in the poems and what it means.The high frequency of musical terms in the poems constitutes an explicit expression of musical presence;and the implicit connection with music lies in the fact that the sound world in the poems not only accompanies music,but also evoke associations with musical pieces.The musicality of Pasternak’s poems implies the philosophy that music is nature and life.In the poet’s writing,nature,life,music and poetry become an integral whole,forming a unique world of music and poetry.
作者 王永 李心仪 Wang Yong;Li Xinyi
出处 《俄罗斯文艺》 CSSCI 2022年第1期28-37,共10页 Russian Literature & Arts
基金 国家社科基金重大项目《中国外国文学研究索引(CFLSI)的研制与运用》(18ZDA284)及《苏联科学院〈俄国文学史〉翻译与研究》(16ZDA196)的阶段性成果。
关键词 帕斯捷尔纳克 抒情诗 音乐 Pasternak poetry music
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