摘要
我国传统钢琴曲《民间玩具》是我国早期钢琴音乐发展时期的重要代表作之一,具有浓厚的民族特色和民族韵味;《民间玩具》在创作和演奏上用拟声手法描摹题词场景,定位了民族风格;在序曲章节具有灵活的调性技法;在赋格章节利用三声部赋格进一步升华、加深了民族风格;《民间玩具》中表达的音乐意象民族文化明显,钢琴技法也进行了西方钢琴技术与民族融合的本土化探索,且民族情感贯穿整个钢琴演奏,是我国传统民族文化与欧洲钢琴音乐结合的优秀范例。
The traditional Chinese piano music Folk Toys is one of the important representative works of the early piano music development period in China,with a strong national characteristics and nation⁃al charm.In the creation and performance of Folk Toys,the onomatopoeia technique is used to describe the scene of inscription,which defines the national style.In the prelude chapter,flexible tonality tech⁃niques is applied.In fugue chapter,three-voice fugue is used to further sublimate and deepen the na⁃tional style.The musical image expressed in Folk Toys has an obvious national culture,and the piano techniques also explore the local integration of western piano technology and ethnic groups.At the same time,the national emotion runs through the whole piano performance,which is an excellent example of the combination of Chinese traditional national culture and European piano music.
作者
胡曈曈
HU Tongtong(School of Art,Huangshan University,Huangshan Anhui 245001;Kharkiv State University of Arts,Ukraine)
出处
《保山学院学报》
2022年第1期96-99,共4页
JOURNAL OF BAOSHAN UNIVERSITY
基金
2020年度安徽省高校人文社会科学研究项目“徽州音乐研究助力‘徽骆驼’精神传承与创新发展”(项目编号:SKHS2020B15)。
关键词
《民间玩具》
钢琴曲
演奏技法
民族韵味
Piano music
Folk Toys
Performance techniques
National flavor