当代电影如何向传统戏曲借力、借智、借势--由《八佰》谈开去

How Contemporary Films Derive Strength,Wisdom&Potential from Traditional Operas:A Case Study of The Eight Hundred

电影《八佰》中融入了《走麦城》《长坂坡》《定军山》等经典传统戏曲唱段,同步表现了电影性与戏剧性。戏曲元素不仅增添了影片的艺术美学风格,还有重要的叙事功能性,成为影片最具个性和最有效的部分。当代电影与传统戏曲的耦合,不仅是强调传统戏曲以意造境的表现主义美学经验,更是要让戏曲和电影共同发展这将会成为一个有效的创作实践范式,为电影创作提供新的形式,以及更为深厚的美学底蕴和接受基础.

The film The Eight Hundred shows a combination of cinematography and theatricality since it integrates pieces of classic singings of traditional theatre.As the most unique and effective part of the film,these operatic elements not only attribute to the artistic and aesthetic style of the film,but also play an important role in narrative.The coupling of contemporary film and traditional theatre not only emphasizes an expressionistic experience of"Yi Jing"in Chinese traditional opera,but also helps to accelerate the development of both movie and theatre,which is expected to be a remarkable film-making paradigm for films to form new forms,and to have a more profound aesthetic deposits.