《白毛女》的革命文艺特点探析

On the Characteristics of the Revolutionary Literature and Art of the White-haired Girl

《白毛女》1945年公演的成功拉开了它作为革命文艺传奇经典的序幕。作为20世纪下半叶公演次数最多、影响最为广泛的革命文艺作品,它是延安时期文艺与政治、革命艺术与传统艺术相互碰撞、相互融合的成果,是革命文艺工作者与人民群众紧密结合的成果,是历史与时代的产物。在阶级斗争和民族斗争的过程中,《白毛女》敏锐觉察党和人民的意识形态诉求,揭露社会主要矛盾,以文化的力量成为革命斗争中的有力武器,对现实社会产生不间断地持续性影响。从革命文化的视野剖析革命进程中《白毛女》的文艺特点,不仅有利于探析革命文艺与人民、与传统艺术的关系,更有利于探析革命文艺与革命实践的相互作用。

The success of the White-haired Girl;in 1945 opened it as a classic of revolutionary Literature and art in 1945. As one of the most frequently performed and most influential works of revolutionary literature and art in the second half of the 20th century, it is the result of the collision and fusion of literature and art and politics,revolutionary art and traditional art in the Yan’an period. It is the result of the close combination of the revolutionary writers and artists with the masses of the people, and is the product of history and the times. In the course of the class struggle and the national struggle. The White-haired Girl is keenly aware of the ideological demands of the Party and the people, exposes the main social contradictions, and uses the power of culture as a powerful weapon in the revolutionary struggle, have a continuous impact on the real world. From the perspective of the revolutionary culture, the analysis of the literary and artistic characteristics of the White-haired Girl in the revolutionary process is not only helpful to the analysis of the relationship between the revolutionary literature and art and the people,traditional art, but also helpful to the analysis of the interaction between the revolutionary literature and art and the revolutionary practice.