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作为策略的“反抒情”——论于坚诗歌中的抒情性及其反思

“Anti-Lyricism” as a Strategy——On the Lyricism in Yu Jian’s Poems and Its Reflection
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摘要 于坚的诗歌时常被认为具有后现代"拒绝深度模式"的性质,在语言游戏的背后,诗歌呈现出"零度抒情",甚至反抒情的特征。然而细致分析文本会发现,于坚的口语化诗歌具有"原乡"之情与日常生活抒情化两种向度。他的短诗和一部分长诗,正是通过抒情这一维度,超越了日常琐碎,获得了诗歌意义上的精神向度与价值立场。于坚的诗歌理念与他的作品之间也存在着偏差,这与诗人不断更新的生命体验有关。 Yu Jian’s poems are often considered to have the nature of postmodern "refusal of depth mode". Behind the language game,poems show the characteristics of "zero degree lyricism" and even anti lyricism. However, a careful analysis of the text will find that Yu Jian’s colloquial poetry is lyrical. Compared with the contemporary poets, he also has a distinct degree of identification, which is different from Han Dong’s acceptance of image lyricism and the pursuit of modern epic of "holism" poets. His short poems and some long poems, through the dimension of lyricism, transcend daily trivialities and obtain a spiritual dimension and value standpoint in a certain sense. There is also a deviation between Yu Jian’s poetic ideas and his works, which is related to the poet’s constantly updated life experience.
作者 孟城境 MENG Cheng-jing(College of Humanities,Huaqiao University,Quanzhou 362021,China)
机构地区 华侨大学文学院
出处 《昭通学院学报》 2021年第6期44-49,共6页 Journal of Zhaotong University
关键词 于坚 诗歌 抒情 抒情方式 维度 Yu Jian poetry Lyric lyric way Dimension
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参考文献4

二级参考文献5

  • 1于坚.于坚集(第5卷)[M].昆明:云南人民出版社,2004.
  • 2于坚.于坚集(第4卷)[M].昆明:云南人民出版社,2004.
  • 3徐敬亚.《圭臬之死》[J].鸭绿江,1988,(7).
  • 4臧棣.《后朦胧诗:作为一种写作的诗歌》,《中国诗歌九十年代备忘录》,北京,人民文学出版社,2000年.
  • 5徐敬亚.《生命:第三次体验》,1986年10月21日《诗歌报》

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