李白涉月诗的“词场”特征与“三元”结构分析

Analysis of the“Ci Field” Characteristics and the “Ternary” Structure of Li Bai’s Moon-related Poems

作为中国古代文学中典型的自然意象,"月"在李白的笔下得到了经典化、系统化的书写。而李白的涉月诗往往既带有极具个性化和习惯化的"词场",又内含着由"我—影—月"巧妙构成的"三元"结构与思想——这种结构、思想一方面继承自陶渊明等前人,另一方面也是李白自身写作的天才型突破。所以在一定程度上,正是由于李白涉月诗在思想内容和结构形式上的独创性,使"月"不仅是他诗歌创作中具有重要特性与价值的存在,而且成为其寻求精神慰藉与超脱的关键出口,同时它也是解读即兴诗人李白对于人与自然、宇宙等多重关系复杂思考的一把钥匙。

As a typical natural image in Chinese classical literature, "moon" has been classicized and systematized in Li Bai’s writing.And Li Bai’s moon-related poems not only have the highly personalized and habitualized "Ci field",but also contain the "Ternary" structure and thought of "I,shadow and moon".This structure is, on the one hand, inherited from Tao Yuanming and other predecessors, and on the other hand, is a genius breakthrough of Li Bai’s own writing.So, to a certain extent, the originality of Li Bai’s poems about moon in terms of ideological content and structural form makes the "moon" an existence with important characteristics and value in his poetry creation as well as a source of spiritual solace and detachment.At the same time, it is also a key to interpret the complex thinking of impromptu poet Li Bai on the multiple relationships between man, nature and the universe.