论《众名姬春风吊柳七》中柳永形象的转变

On the Change of Liu Yong's Image in Numerous Prostitutes Grieve Liu Yong in Spring

《众名姬春风吊柳七》出自冯梦龙《喻世明言》中的第十二卷,主要对柳永的人生经历和先前已有的柳永故事进行了继承与改编。冯梦龙通过对柳永故事的改编,使作品中的士妓关系不再像之前故事中那样局限于表面,更使柳永与妓女们的感情在心灵间得到了升华,柳永的人物形象也随之转变。其中蕴含了冯梦龙本人的人生轨迹与心灵的寄托,同时也反映了明代文人的心理与追求。

Numerous Prostitutes Grieve Liu Yong in Spring comes from the twelfth volume of Feng Menglong's Yushi Mingyan,which mainly inherits and adapts the life experience and previous stories of Liu Yong.Through the adaptation of Liu Yong's story by Feng Menglong,Liu Yong's image was recreated.The relationship between scholar and prostitutes in his works is no longer confined to the surface as in previous stories,but also makes the passion between Liu Yong and prostitutes be sublimated in the heart.It contains Feng Menglong's life track and spiritual sustenance,the psychology and pursuit of literati in Ming Dynasty are reflected as well.