试析寻根文学的生态文明思想——以张承志《北方的河》为例

On the Ecological Civilization Thought of Root-Seeking Literature—Take Zhang Chengzhi's Northern River as an example

20世纪80年代中期,我国出现了一股以“返回”传统文化之根为倾向的文学创作潮流,“寻根文学”将创作视野集聚在变幻莫测的大自然之间,在不自觉中为中国当代文学的创作注入了生态文明思想。以寻根作家张承志的《北方的河》为例,从浪漫主义和生态批评视角分析文本中的生态文明思想,力求还原寻根文学的多重审美意义,重新审视寻根文学之于当代社会的反思与启示。在《北方的河》中,主人公受大地血液(北方河流)的洗礼,努力地在大自然中寻找生命的精神力量,最终在“我”与自然的交融中发现了精神主体本质力量的折射,完成了心灵的寻根之旅。

In the mid-1980s,there appeared a trend of literary creation in China,which was inclined to return to the roots of traditional culture.The“root-seeking literature”concentrated the creative vision between the unpredictable nature,and unconsciously injected ecological civilization thought into the creation of Chinese contemporary literature.Taking Zhang Chengzhi's Northern River as an example,this paper analyzes the ecological civilization thought in the text from the perspective of romanticism and ecological criticism,strives to restore the multiple aesthetic significance of root-seeking literature,and re-examines the reflection and enlightenment of root-seeking literature on contemporary society.In Northern River,the protagonist,baptized by the blood of the earth(the river in the North),tries his best to find the spiritual power of life in nature,and finally finds the refraction of the essential power of the spiritual subject in the blend of“I”and nature,and completes the journey of the soul.