摘要
香港功夫电影在上世纪70年代伴随着香港文化本土化运动得以定型。影片中的杂糅性、爽感、个体搏命感等影视审美趣味,直接凝练与反映了香港市民社会本土化构型阶段的精神底色。香港电影人在功夫电影中精心经营岭南文化意象、搭建广东城市空间、弘扬南派武林英雄精神,在影像中追溯香港文化的岭南源头,并重构岭南文化象征符号意味,将岭南文化嫁接与挪用到香港文化中,建构了香港本土文化的话语叙事方式及身份内涵。
Hong Kong kung fu films were formed along with the localization of Hong Kong culture in the 1970s.The aesthetic interests of Hong Kong kung fu films,such as“hybridity”,“exhilaration”and“individual struggle”,vividly express the core values of Hong Kong civil society at the stage of localization.The movie makers have created the narrative style and identity connotation of Hong Kong local culture,through the careful use of Lingnan(South China)cultural imagery,the construction of Guangdong urban space,popularization of the heroic spirit of the practitioners of southern style martial arts.These films have traced the Lingnan origin of Hong Kong culture,and reconstructed the symbolic meaning of Lingnan culture,incorporating Lingnan culture into Hong Kong culture.
作者
徐桃
XU Tao(College of Arts, Guangzhou Huashang College, Guangzhou, Guangdong, 511399, China)
出处
《盐城师范学院学报(人文社会科学版)》
2022年第2期106-114,共9页
Journal of Yancheng Teachers University(Humanities & Social Sciences Edition)
基金
广东省哲学社会科学规划项目“粤港澳文化共同体视域下广东城市影视形象的建构与传播”(GD20CYS12)。
关键词
香港
功夫电影
本土化
岭南文化
Hong Kong
kung fu films
localization
Lingnan culture