农村电视剧扶贫叙事的主体、历史和文化逻辑

The Narrative of Poverty Alleviation in Rural TV Series:Subject,History and Cultural Logic

“扶贫叙事”是近年来农村电视剧的一个新景观。通过扶贫叙事,农村电视剧不仅满足了意识形态要求,还对叙事传统进行了扬弃。扶贫叙事在构建新型人物主体的同时,也彰显了带有新质的历史向度和文化逻辑。扶贫干部形象在叙事中承担了多种功能,主要表现为技术能人、政策达人和爱情素人三个维度。扶贫叙事的现实关怀特性延续了农村电视剧与现实同步的创作传统,反映了精准扶贫的现实要求,并继承了“入世”的中国传统艺术观。扶贫叙事具有中国电视剧一般具有的大众文化、主导文化和精英文化表征,并通过贫富之间、城乡之间、头脑故乡与呼吸故乡之间的对立与和解,结构成稳定的扶贫叙事系统。

“The narrative of poverty alleviation”is a new landscape in rural TV series in recent years,through which rural TV series not only meet the ideological requirements,but also develop what is healthy and discard what is not in the narrative tradition.The narrative of poverty alleviation not only shapes a new type of character subject,but also highlights a new historical dimension and cultural logic.The image of poverty alleviation cadres has many functions in the narrative,which are mainly manifested in three dimensions:technical talent,policy expert and inexperienced love catcher.The realistic concern of the narrative carries on the tradition of rural TV series of synchronizing real life,reflects the practical requirements of targeted poverty alleviation,and inherits the traditional Chinese artistic view that emphasizes“going into the society.”The narrative is representative of the popular culture,dominant culture and elite culture that are generally prevalent in Chinese TV series.Through the opposition and reconciliation between the rich and the poor,between the urban and rural areas,and between the hometown of mind and the hometown of breathing,a stable narrative system of poverty alleviation is structured.