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当“极简主义设计”成为价值符号 被引量:2

When"Minimalist Design"Becomes a Symbol of Value
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摘要 在极简主义文化流行的当下,极简主义设计风格应运而生。但在消费主义文化横行的当下,“极简主义设计”逐渐失去了其本身的意味,变成了被商业所利用的“价值符号”和“风格空壳”。文章希望通过对“极简主义设计”本意的探求,和对商家们利用“极简主义设计”操控消费者心理的手段的分析揭露,以唤醒设计师和消费者们追寻真正的极简。 At the moment when Minimalist culture is popular,"Minimalism"will inevitably have an impact on the field of design.However,due to the erosion of the consumptive society,"Minimalist design"has increasingly lost its meaning and has become a commercial"Value symbol"and"Style shell".By exploring the original meaning of"Minimalism design",this article aims to expose and analyze the means by which merchants manipulate consumers'psychology by using"Minimalism design",it*s a wake up call for designers and consumers to pursue true minimalism.
作者 徐雅圆 蓝泰华 Xu Yayuan;Lan Taihua(College of Fine Art,Fujian Normal University,Fuzhou 350117,China)
出处 《艺术与设计(理论版)》 2022年第2期26-28,共3页 Art and Design
关键词 极简主义设计 消费社会 价值符号 设计伦理 Minimalist design consumptive society symbol value ethics by design
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  • 1Donald Judd, "Complaints: Part I" , Studio International, April 1969, pp.166- 179. reprinted in Donald Judd, Complete Wn'tings, 1959-1975, Halifax: Nova Scotia College of Art and Design; New York University Press, 1975, pp.197- 199.
  • 2Annette Michelson, "Robert Morris: An Aesthetics of Transgression" , Robert Morris, Washington D.C.: Corcoran Gallery of Art, 1969, p.t3.
  • 3Clement Greengerg, "The Jackson Pollock Market Soars" , in Clement Greenberg: The Collected Essays and Criticism, IV, Chicago and London: University of Chicago Press,1993, pp.107-114.
  • 4Steven Naifeh, Culture Making: Money, Success, and the New York Art World, Priceton University Studies in History, 1976.
  • 5Jennifer Wells, "The Sixies: Pop Goes the Market" , Definitive Statements: American Art 1964-1965, Providence: Department of Art, Brown University, 1986.
  • 6Caroline Jones, Modern Art at Harvard, New York, Abbeville Press, 1985, pp.90-95.
  • 7Barbara Reise, "Greenberg and the Group: A Retrospective View, Parts I and It" , Studio International, May-June, 1968, pp.254-257, pp.314-316.
  • 8Donald Judd, unpublished interview with James Meyer, Marfa, Texas, 27 October 1991.
  • 9Carl Andre, "Preface to Stripe Painting (Frank Stella)" , 16Arnericans, New York: The Museum of Modern Art, 1959, p.76.
  • 10Minimalism:Art and Polemics in the 1960s, New Haven and London, Yale University Press, 2000.

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