连续的风景——坂本一成的建筑

Continuous scenery: Kazunari Sakamoto’s architecture

通过梳理坂本一成自"散田之家"以来的一系列设计作品,从箱体、家形(型)、架构与覆盖,到小型集合单元与岛状规划、建筑(局部)与城市(整体)的连续,即从"形"到"型"的演进之中,阐释一种"刻意"相对化的立场,一种概念与现实、抽象与具象之间的平衡,一种始终贯穿于空间与感知中的连续性。

By combing Kazunari Sakamoto’s series of design works since the "House in Sanda", from the box, home shape(type), structure and coverage, to the continuity of small-compact units and island plan, architecture(local) and city(whole), that is, in the evolution from "shape" to "type", this paper explains a "deliberate" relativistic position, a balance between abstraction and concreteness, a continuity that runs through space and perception.