摘要
尽管延续了"散田之家"中套匣状的空间配置,方形平面与中心柱的形式性却消失了。墙面布置迎合基地的现状,从而出现了微妙的斜度。建筑物的高度介于一层与两层建筑之间。外墙采用了凹凸感的清水混凝土材质,这就是所谓的"未完成"状态,并以银色漆面涂刷。既是虚构,同时也是实存的;既是象征,同时也是物质的。作为坂本初期代表作,两义性的特征在其间被重叠编织。
Folloving in the footsteps of the nested spatial arrangement first explored in House in Sanda,Machiya in Minase doesn't part ways with the formalism of the square plan and central column.Site conditions are matched wvith the arrangement of walls to dictate the house's slight,sensitive slants.Its height assumes an intermediate scale between one and two floors.
出处
《建筑技艺》
2021年第11期88-91,共4页
Architecture Technique
