摘要
由法国建筑师让·努维尔设计的西海美术馆于2021年8月在青岛西海艺术湾落成。该项目从场地的山海环境出发,将艺术介入空间,延续了努维尔一贯非复制性的诗意表达。作者基于对项目的信息梳理与实地考察,提出西海美术馆相关人物的"非典型性"组合、场所的"非常规式"介入、空间的"非日常化"想象、材料的"非物质化"呈现与事件的"非普遍性"回应,通过上述五个角度揭示该项目对青岛城市与努维尔创作的独特意义。
The TAG Art Museum,designed by French architect Jean Nouvel,was completed in August 2021 in the Artists’ Garden,Qingdao.Starting from the mountain and sea environment of the site,the project involves art in space and continues Nouvel’s non-replicating poetic expression.Through the study of textual materials and on-site visits,the author puts forward its "atypical" combination of characters, "unconventional" intervention of places, "non-daily" imagination of space, "dematerialized" presentation of materials,and "non-universal" response of events related to the TAG Art Museum,revealing the unique significance to the city of Qingdao and Nouvel’s creation of this project from the above-mentioned five perspectives.
作者
支文军
张懿文
ZHI Wenjun;ZHANG Yiwen
出处
《时代建筑》
2022年第1期106-117,共12页
Time + Architecture
基金
国家社科基金艺术学重大项目(20ZD11)。
