相遇与游居 城乡烟雨中的江南半舍

Encountering and Flowing-Residence Ban Villa in the Urban-Rural Atmosphere of Jiangnan

"江南半舍"是一座兼具民宿与自宅功能的新类型建筑。文章将其置于全球城市化进程中传统与现代性相遇的理论背景,以及当代中国城乡关系转型的社会语境,解读其设计如何围绕"半""舍"的语义,运用场地、形式和材质等层面的模糊化操作,塑造一种与建筑功能呼应的一半城市/一半乡野、一半自我/一半他人的空间体验;其建筑由此背离了早期乡建项目对城乡疏离关系的批判和强化,转向对疏离的调和、模糊和再构,以营造一种回归日常、回归流动、回归平等的"游居"状态,一个模糊化的"相遇"空间。

BanVilla is a new architectural typology with merged functions of a rural hotel and a suburban villa,designed for a client born in the countryside and now leading an urban-rural lifestyle.Within the theoretical context of the encountering between tradition and modernity in the global urbanization agenda,as well as the social discourse of the transformation of urban-rural relations in contemporary China,this article analyzes how the architect leverages ambiguous tools concerning layout,form,and material,around the allegorical meaning of "Ban/half" and "She/villa",to construct a spatial experience of "halfurban/half-rural" and "half-self/half-other" in relation to its architectural functions.In this way,BanVilla moves away from the criticism and re-affirmation of the urban-rural alienation in earlier projects of rural reconstruction,towards the mediating,blurring,and restructuring of the alienation,to construct a "flowingresidence" condition which returns to the everyday,mobility,and equality,thus becoming a blurred space of "encountering".