“欺骗”的隐喻和拟人观念的变迁——《维纳斯与丘比特的寓言》研究

Metaphor of“Fraude”and change of anthropomorphic concept——Research on“Allegory of Venus and Cupid”

名画《维纳斯与丘比特的寓言》一直以其复杂主题和后世的多重解读而闻名,其中右下角的人面兽身女子引起了众多学者的注意,她隐藏在阴影中,被布龙齐诺巧妙地安置在“愚蠢”身后,所以她是一个被隐蔽的形象,也被赋予了隐喻的含义。在此,笔者试图厘清这一拟人像的身份,学界通常将这一拟人像视为“欺骗”,但随着对这一形象的深入研究,其解读逐渐脱离拟人化。因这一形象与斯芬克斯图式的相似性,亦有学者将她视为斯芬克斯的化身。本文将通过画作与文本之间的互文性,对这一拟人像进行解读,并得出“欺骗”与斯芬克斯的双重释义。

“Allegory of Venus and Cupid”has always been known for its complex themes and multiple interpretations of later generations.Among them,the woman with human face and animal body in the lower right corner has attracted the attention of many scholars.Cleverly placed behind“Folly”,so she is a concealed image,also given the meaning of metaphor.Here,the author attempts to clarify the identity of this anthropomorphic portrait.The academic community usually regards this anthropomorphic image as“Fraude”,but with the in-depth study of this image,its interpretation gradually deviates from anthropomorphic.Because of the similarity between this image and the Sphinx scheme,some scholars regard her as the embodiment of Sphinx.This article will interpret this anthropomorphic figure through the intertextuality between the painting and the source text,and draw a double interpretation of“Fraude”and Sphinx.