《人类世》:生态政治的审美再现

Anthropocene:The Human Epoch:Aesthetic Representation of Eco-politics

《人类世》是直面生态政治问题的一次影像艺术实践,该影片以非虚构的纪录片形式,为我们审美化地再现了人类技术、消费社会与自然环境之间的种种现实遭遇,无一不透露出某种强烈的生态伦理关切。本文将以加斯东·巴什拉、米歇尔·塞尔和蒂姆·莫顿的生态思想作为参照,分别从物质的抵抗、自然契约和“超物”三个角度进行思考,以期突显出纪录片《人类世》中的艺术化表达策略,及其伦理、政治内涵。

Anthropocene:The Human Epoch is a video art practice that faces up to the issues of Eco-politics.In the form of a non-fictional documentary,it aesthetically represents the various realistic encounters between human technology,the consumer society and the natural environment,all of which have laid bare certain strong eco-ethical concerns.This paper will take the ecological thoughts of Gaston Bachelard,Michel Serres and Timothy Morton as references,and reflect respectively from the perspectives of The Resistance of Material,The Natural Contract and“hyperobjects”,in the aim of highlighting the artistic strategies of expression in this documentary,as well as its ethical and political connotations.