“第三电影”、《燃火时刻》与拉丁美洲的纪录影像实践

Third Cinema,The Hour of the Furnaces,and Documentary Practice in Latin America

本文归纳回顾拉丁美洲诸国在1959年古巴革命胜利至1989年柏林墙倒掉三十年间,电影创作、发行、理论探讨与拉美反帝、反殖、反资本主义政治社会实践之间复杂的互动,涉及对“第三电影”、游击电影、巴西新电影、古巴“不完美电影”等电影理念与实践的介绍与探讨。

This essay provides an overview of the interaction between various film practices and socio-politics in Latin American countries from 1959 to 1989.Between Cuban revolution in 1959 and the fall of Berlin Wall in 1989,the thirty years witnessed Latin American film workers’great efforts in film making,circulation,and theorization as a means to struggle against neocolonialism,imperialism,and capitalism which caused suffering of local people and financial-political-cultural dependency on Euro-American capitalist powers.Radical film movements and concepts such as“third cinema,”“film guerilla group,”“cinema novo,”and“imperfect cinema”epitomize film workers’persistent and righteous engagement with social reality and history.