数字时代的“脸”与自我真实危机:以《真相捕捉》为例

The Capture:Face and the Crisis of Self Authenticity in the Digital Age

“脸”作为直接赤裸于人前的身体器官,是代表着人的身份标识别和建构本真自我的重要展演场所。一方面,脸的出现一开始便处于面具的遮掩之下,主体表现为一种具有多重面具的虚假自我;另一方面,数字技术对人脸的掌控使其沦为一种以数据为载体的“赛博脸”,这同时也意味着肉身脸的危机与自我观念的解体。本文以英剧《真相捕捉》为例,试图分析“脸”这一器官的“去肉身化”与“去脸化”这两种时代表征与存在样态,反思数字时代的自我真实危机。

As a body organ that is directly naked,most of the time,the face represents an important performance stage for human identification and self-construction.On the one hand,the appearance of the face is under the cover of the mask from the beginning,and people become performing self with multiple masks.On the other hand,the face controlled by the digital culture has reduced it to a data-based carrier.This article takes the British drama The Capture as an example to analyze the two representations of the face:in a process of“de-embodiment”and“de-facement”,which makes us rethink the real crisis of the self in the digital age.