摘要
科幻电影的工业美学研究以院线电影为重点,后工业美学研究以网络视频为重点。21世纪以来,网络视频的崛起在社会层面开创了文化产业新格局,在产品层面普及了电影形态新概念,在运营层面呈现出科幻电影发展新趋势。从文化表征看,网络视频形态的科幻电影立足在线生活之精识,体现文化产品之精善,建构类型艺术之精新。从审美效果看,网络视频形态的科幻电影在感知上追求形式之妙,在体验上追求内容之妙,在意向上追求本体之妙。
The research on industrial aesthetics of sci-fi film focuses on cinema films,and the research on post-industrial aesthetics focuses on online video.Since the 21th century,the rise of online video has created a new pattern in the cultural industry at the social level,popularized new concepts of film form at the product level,and presented a new trend in the development of sci-fi films at the operational level.From the perspective of cultural representation,sci-fi films in the form of online videos are based on the knowledge of online life,embodying the fineness of cultural products and constructing fine and new types of art.From the perspective of aesthetic effects,sci-fi films in the form of online video pursue the beauty of form in perception,the beauty of content in experience,and the beauty of ontology in mind.
出处
《文化研究》
2021年第2期256-269,共14页
Cultural Studies
基金
国家社会科学基金重大项目“比较视野下中国科幻电影工业与美学研究”(项目编号:21ZD16)前期成果
国家社会科学基金后期资助重点项目“中国科幻电影的多维定位”(项目编号:20FYSA001)的后续成果。
关键词
网络视频
后工业美学
数字技术
科幻电影
Internet Video
Post-Industrial Aesthetics
Digital Technology
Science Fiction Films
