发掘与重构--“萧红现象”与电影际遇论说

Discovery and Reconstruction--"Xiao Hong Phenomenon"and the Theory of Film Encounter

被历史尘封40年之久的萧红,在新时期的曙光中重新崛起,文学界和文化界掀起“萧红热潮”,并且出现了令人瞩目的“萧红现象”,尤以新世纪的两部电影《萧红》《黄金时代》为典型。这两部电影中所重构的“民国风”的生存与爱情、女性视角下对生存意义的追问成为学界发掘“萧红热”成因、探讨“萧红现象”意义的重要切入口。电影际遇下的“萧红现象”为文学与影视这两种艺术形式的互动融合提供了探索的空间,一方面加速了大众对萧红本人及其作品的接受,另一方面也在显在的情欲主导和隐秘的男权压制的媚俗化表达中埋没了萧红作为优秀女作家的真正价值。因此,“萧红现象”所呈现出的文学经典和大众文化互动的向度应引起学界足够的重视,如何平衡二者之间的关系是学界必须思考的问题。

Xiao Hong,who has been in the dust for 40 years,has re-emerged in the dawn of the new era.The literary and cultural circles have set off a"Xiao Hong upsurge",and the eye-catching"Xiao Hong phenomenon"has appeared in the new century,of which the films Xiao Hong and Golden Age are typical examples.The survival and love of the"Republic of China"reconstructed in these two films,and the questioning the meaning of life from the perspective of women have become important entry points for us to discover the cause of"Xiao Hong Fever"and explore the meaning of"Xiao Hong Phenomenon".The"Xiao Hong Phenomenon"under film encounters provides a space for exploration of the interaction and integration of the two art forms of literature and film and television.On one hand,it accelerates the public's acceptance of Xiao Hong and his works.On the other hand,it buried Xiao Hong's true value as an excellent female writer in the expression of kitsch and secret patriarchal suppression.Therefore,the dimension of interaction between literary classics and popular culture presented by the"Xiaohong Phenomenon"should arouse sufficient attention.The literary circle should think about the problem how to balance the relationship between these two.