摘要
从《海上花列传》,经由穆时英、张爱玲、王安忆等作家作品,再到《繁花》,上海文学织成一张绵密的互文性网络,描绘出各个历史时期人们在上海的生存体验;并借助城市光影声色的时空变化、光影声色里的“花”(女性)形象、城中人的心灵状态,来表现城市历史的“核”和日常生活的“壳”,由此指向一种具有整体性的现代都市文明。
From the Sing-Song Girls of Shanghai through the works of Mu Shiying,Zhang Ailing,Wang Anyi and other writers to Various Flowers,Shanghai literature is woven into a dense intertextual network.It presents the survival experience of people in Shanghai in various historical periods.With the help of the temporal and spatial changes of urban light,shadow,sound and color,the image of"flowers"(women)and the mental state of the people in the city,we can express the"core"of urban history and the"shell"of daily life,thus pointing to a kind of integrity modern urban civilization.
作者
许德
王中
XU De;WANG Zhong(School of Liberal Arts,Anhui Normal University,Wuhu Anhui 241002,China)
出处
《安徽师范大学学报(社会科学版)》
CSSCI
2022年第2期17-23,共7页
Journal of Anhui Normal University(Hum.&Soc.Sci.)
基金
安徽省社会科学规划项目“20世纪中国文学中的城市经验与日常生活研究”(AHSKY2017D52)。
关键词
上海文学
城市经验
日常生活
《海上花列传》
《繁花》
Shanghai literature
urban experience
daily life
the Sing-Song Girls of Shanghai
Various Flowers