文图互动与叙述缝隙——论丁玲《太阳照在桑干河上》的连环画改编

Interaction Between Text and Picture and Narrative Gap:On the Comic Adaptation of The Sun Shines on the Sanggan River by Ding Ling

连环画《太阳照在桑干河上》是文图互动的产物,一方面,通过突出主题、重组情节等方式形成脚本,为后续连环画创作奠定基础;另一方面,在脚本基础之上利用姿态描摹、背景勾勒等手段灵巧绘制图画,在文图互动中完整而又形象生动地展现出一个村庄的土地改革过程。然而,由于艺术形式的差异加之创作主体的不同,连环画作品和小说原著之间难免会产生叙述逻辑缝隙,具体表现为连环画女性立场的潜隐和淡化以及内容丰富性的弱化。

The comic The Sun Shines on the Sanggan River is the product of the interaction between the text and the picture.On the one hand,it forms the script by highlighting the theme and reorganizing the plot,which lays the foundation for the subsequent creation of the comic;on the other hand,on the basis of script,it draws pictures skillfully by means of posture description and background sketch,which can show the land reform process of a village completely and vividly.However,due to the differences in artistic forms and creative subjects,it is inevitable that there will be a gap in narrative logic between the comic and the original novel,which is embodied in the concealment of the female position and the weakening of the richness of the content in the comic.