摘要
汉赋的兴盛与武帝的关系非常密切,汉赋作品中对武帝人物图像的呈现尤其值得关注。在汉赋创作中,自司马相如《上林赋》对“天子校猎”的描写,其中内涵的武帝“尚武”的形象,到扬雄《长杨赋》对武帝朝“武事”如抗击匈奴战争的具体展示,以及东汉京都赋对武帝作为的得失评价,又喻示了对其形象构造由武仪、武事到武功的变迁。而其中牵涉到的庙制建毁的争议,礼德思想的省思,又是赋家视武帝为一重要的历史坐标,并予以文学化的书写。
The prosperity of Han Fu is closely related to Emperor Wu, therefore the presentation of the image of Emperor Wu in Han Fu deserves special attention. In the creation of Han Fu, from the description of "The Emperor Hunting" in Sima Xiangru’s Shanglin Fu, which presents Emperor Wu as a warrior, to the concrete display of the war against the aggression of the Huns during Emperor Wu's reign in Yang Xiong’s Changyang Fu, to the evaluation of Emperor Wu’s actions in Jingdu Fu in the Eastern Han Dynasty, relevant changes indicate the change of Emperor Wu’s image from his appearance to military actions, and then to his military achievements. Such writings involved disputes over the construction or destruction of the ceremonial system and introspection on the thought of propriety and morality, which was another reason why Fu writers regarded Emperor Wu as an important historical coordinate, and wrote about him in a literary way.
出处
《济南大学学报(社会科学版)》
CSSCI
2022年第2期14-21,173,共9页
Journal of University of Jinan:Social Science Edition
基金
国家社会科学基金重大项目“辞赋艺术文献整理与研究”(项目编号:17ZDA249)之阶段性研究成果。