摘要
红色戏剧是有特殊时效性和特殊意义的主旋律戏剧。广西红色戏剧是在红色戏剧基础上的具象化,其作品有对经典的移植改编,也有根植本土地方革命历史事件的创作。自2000年以来,广西红色戏剧创作呈现三个主要特征:从无意—有意—有为的创作思想转向;从单一剧种到多剧种共创的多元视域发展;从“献礼”到社会价值重塑的转变。广西红色戏剧的特征显象,表层是广西红色戏剧创作的演变规律以及戏剧能力提高的实践,深层隐喻的是对广西红色戏剧的反思探索,以期创作出符合社会主义核心价值观的红色文艺经典作品。
Red drama is a main melody drama with special timeliness and special significance.Guangxi red drama is a representational drama based on red drama.Its works include the transplantation and adaptation of classics and the creation rooted in local revolutionary historical events.Since the 2000s,the creation of Guangxi red drama has shown three main characteristics:from unintentional-intentional-promising creative thought;from a single drama to a multi drama co-creation of the development of multiple horizons;from"political dedication"to the reconstruction of social value.The characteristics of Guangxi red drama are obvious.The surface layer is the evolution law of Guangxi red drama creation and the practice of improving drama ability.The deep metaphor is the reflection and exploration of Guangxi red drama so as to create red literary classics in line with socialist values.
出处
《民族艺林》
2022年第1期51-58,共8页
Journal of Ethnic Art