亲情回溯类电影的影像叙事与审美表达——以《你好,李焕英》和《乘风破浪》为例

The Image Narration and Aesthetic Expression of the Family Tracing Movies——Taking the Movies Hello,Li Huanying and Ride the Wave as Examples

亲情回溯类电影因其特征鲜明、情感真挚,有着较高的票房吸引力。在影像叙事方面,它通过对青春的“前叙事”陌生化营造父母的青春记忆,并且多采用亲子认同的闭环式叙事模式。同时,因其关系的双重错位而呈现独特的喜剧风格与荒诞效果,通过怀旧乌托邦空间的构建彰显了故事与影像的年代质感。在审美表达方面,它讲述了一个“未完成事件”的完成过程,实现了主人公与内在自我的和解。

Retrospective movies of family love have high box office appeal because of their distinctive characteristics and sincere emotion.In terms of image narration,it creates parents'youth memory through the defamiliarization of"pre-narration"of youth,and mostly adopts the closed-loop narrative mode of parent-child identification.At the same time,because of the double dislocation of its relationship,it presents a unique comic style and absurd effect.Through the construction of nostalgic Utopian space,it shows the chronological texture of the story and image.As to the aesthetic expression,it tells the completion process of an"unfinished event"and realizes the reconciliation between the protagonist and his/her inner self.