对建党百年甘肃红色题材舞台艺术作品的观察与思考

Observation and Reflection on the Performance of Gansu Red-Memory Stage Art Works in the Centenary of the Founding of CPC

建党百年之际,甘肃以歌舞剧《腊子口·1935》对红军长征,以秦腔《肝胆祁连》和音乐剧《焉支花开》对西路军,以道情皮影剧《陇原第一枪》对陇东革命根据地创建等本土革命题材和红色记忆进行了艺术呈现,并以陇剧移植歌剧《江姐》等作品为红色文化的地域性开掘和本土化呈现提供了重要例证。其创作演出实践启示我们,在红色记忆的创造性继承和创新性发展过程中,要将生动的红色文化资源与形象的舞台艺术相结合,要按艺术规律激活和表现红色文化资源,要在地域文化题材与形式的结合中突显特色,才能讲好红色故事,才能使呈现当地红色记忆的舞台艺术作品走向精神地标和文化地标。

In the centenary of the founding of the Communist Party of China,Gansu Province presented operas to artistically showcase local revolutionary theme and red memory,such as song and dance drama about the Red Army’s long march whose names are The Story Happened in Lazikou in 1935,Qinqiang opera Quality like Qilian Mountain and musical drama Remember the Past in the Yanzhi Flowers Bloom about the west route army,Daoqing shadow opera about the establishment of Longdong revolution base named The First Shot on the Land of Long.In particular,Long opera“Sister Jiang”,which adapted from opera,sets an significant example for the regional exploration and localization of red culture.In the process of creative inheritance and innovative development of red memory,there are three principles we should obey them to tell a good red story.Lively red cultural resources should be combined with alive stage art;red cultural resources should be activated and displayed according to artistic rules;its characteristics should be highlighted in the combination of regional cultural themes and cultural forms.Only then can the stage art works presenting the local red memory turn into spiritual and cultural landmarks.