原创民族歌剧《包青天》艺术创新路径研究

Research on the Artistic Innovation Path of the Original National Opera Bao Qingtian

安徽艺术学院主创的民族歌剧《包青天》以包拯为原型,在吸收民间口头传说、宋金笔记、勾栏说唱、元杂剧、明传奇以及清京剧等多种艺术体裁内容的基础上,巧妙融入戏曲、民歌和宋代词调音乐等音乐元素,集中表现包拯与庞太师围绕国法展开的殊死斗争及包拯在情与法相冲突时内心的矛盾和纠结。歌剧从创作到舞台呈现成功开创了“项目依托、校企合作、校校合作、内培外引”等多种模式,在破解我国大型歌剧艺术创新上探索出一条崭新路径。

Bao Qingtian,a national opera created by Anhui University of Arts,takes Bao Zheng as the prototype.By absorbing a variety of artistic genres such as folk oral legends,notes of Song and Jin Dynasties,GouLan rap,Yuan zaju,Ming legend and Qing Beijing opera,this opera skillfully integrates musical elements such as opera,folk songs and tonal music of Song Dynasty.It focuses on the desperate struggle between Bao Zheng and grand master Pang around the national law.It also focuses on Bao Zheng's inner contradictions and entanglements when emotion conflicts with law as well.From creation to stage presentation,the opera has successfully created various modes such as“project support,school enterprise cooperation,school-school cooperation,internal training and external introduction”,and found a new path in artistic innovation of China's large-scale opera.