“反者诗之动”:论臧棣诗之“自然”

“Poetry May Go Opposite Ways”:On the“Nature”of Zang Di’s Poetry

“自然”在臧棣诗中具有多重含义,既包含山水、风物等“物理”自然,亦有哲学上自生自为的“道”之本源的内涵。在诗人与物质自然的交契中,臧棣的诗呈现了一种“我与你”而非“我与它”的关系。且中间的纽带不是神性之爱或柏拉图式“爱欲”,而是一种与“爱”相对的、中国式的友情。诗人通过对汉语充满“现代性”的创造,以诗艺上“反自然”的嫌疑,实现了对现代汉诗语言的激活。古典精神与自然情致获得了“反者道之动”的再生。

“Nature”has multiple meanings in Zang Di’s poems,including not only“physical”nature such as landscapes and scen⁃ery,but also the connotation of the origin of“Tao”which is self-sustaining in philosophy.This article will explore the concept of“nature”in Zang Di’s poems in the following steps:First,in the interaction between the poet and material nature is a relationship of“I and you”rather than“I and it”.And the link between them is not divine love or Platonic“Eros”,but a Chinese-style friend⁃ship opposite to“love”.Next,the poet realized the activation of the language of modern Chinese poetry through the creation of Chi⁃nese which full of“modernity”and the suspicion of“anti-nature”in poetic art.The classical spirit and natural affection have been regenerated,just like“the divine law may go opposite ways”.