代际视野下的当代中国文艺学知识生产

The Production of Knowledge in Contemporary Chinese Literary Theory from an Intergenerational Perspective

从代际角度考察当代中国文艺学知识生产,可发现一个显而易见的现象:文艺学知识生产场中存在两支规模宏大的队伍:一支是20世纪30年代出生的文艺理论家群体,另一支是20世纪50年代出生的文艺理论家群体。从曼海姆建构的代际理论出发,对于上述现象进行知识社会学分析,可以发现,30后一代和50后一代文学理论工作者在人生经历、知识结构、文化立场、文艺观点上的差异,深刻地影响了其文艺学生产方式,这深刻地体现在其对文学的审美属性、文学自主性自律性等问题的看法上。

Through examining the knowledge production of contemporary Chinese literary theory from an intergenerational perspective,we can find an obvious phenomenon that there are two large teams in this field.One was a group of literary theorists born in the 1930s and the other in the 1950s.A sociological analysis of the phenomenon in the light of Mannheim's generational theory,reveals that the differences in life experiences,knowledge structures,cultural positions and literary perspectives between the post-1930s and post-1950s generations of literary theorists have profoundly influenced their approaches to the production of literary theory.