中国传统审美资源的回归、化用与价值--从格非近作看其新古典主义风格

The Return,Application,and Value of Traditional Chinese Aesthetic Resources:Examining Ge Fei’s Neoclassical Style from His Recent Works

在格非早期的先锋写作中,中国传统文化诸多元素以隐性的方式存在。到了“江南三部曲”中,格非孕育出了一种融合进现代观念的“中国式诗意”,这在其近作《月落荒寺》中得到了更为精妙的体现,呈现出鲜明的新古典主义风格。这一“中国式诗意”富有两面性,既蕴含着激发创作灵感的潜能,也可能误入迷津。

In Ge Fei’s early“avant-garde”writings,many elements of traditional Chinese culture exist in an implicit way.In the Jiangnan Trilogy,Ge Fei has created a kind of“Chinese poetic concep-tion”which is integrated into modern ideas.This notion has been more subtly reflected in his re-cent work Yueluo huangsi(The Moon Sets at the Temple),which shows a distinctive neoclassical style.This“Chinese poetic conception”has two sides.It contains the potential to stimulate creative inspiration,but may also go astray.