摘要
瓷胎画珐琅在中国陶瓷史上占有重要地位,笔者通过对瓷胎画珐琅的兴起与衰落,在康乾盛世的背景下,探究清三代珐琅彩瓷的背景因素和演变规律,力求反映清代的彩瓷乃至社会发展状况。瓷胎画珐琅的出现具有特殊的意义,它是中国传统陶瓷,借用西方的技术而得到升华的一种彩瓷,是技术西来的产物,并影响到了中国其它彩瓷的发展。
Porcelain body painting enamel is a special variety in the history of Chinese ceramics. Rise and decline, explore the background factors and evolution law of enamel colored porcelain in the three dynasties of the Qing Dynasty under the background of the prosperous age of Kang and Qian. Strive to reflect the development of colored porcelain and even society in the Qing Dynasty.The emergence of porcelain body painting enamel has epoch-making significance. It is a kind of colored porcelain sublimated by borrowing western technology from traditional Chinese ceramics. It is a product of Western technology and affected the development of other colored porcelain in China.
作者
郭振浩
Guo Zhenhao(Jingdezhen Ceramic University,Jiangxi,Jingdezhen,333403,China)
出处
《陶瓷》
CAS
2022年第2期77-79,共3页
Ceramics
关键词
瓷胎画珐琅
背景
规律
清三代
彩瓷
Porcelain body painting enamel
Background
Law
Qing Dynasty
Painted porcelain