摘要
《大提琴协奏曲》是周文中于1992年完成的他唯一一部协奏曲,是"20世纪大提琴文献中重要及有持久影响力的一部作品"。这部协奏曲基于核心音组及其变形,形成一个"变的演进"—一幅声音山水长卷,并通过大提琴与乐队展现出人与山水的关系,展现出作曲家基于中国哲学、美学的审美境界。
This was Chou’s only concerto completed in 1992,praised as“a work with everlasting influence in the 20;century’s cello literature”.This concerto is based on a core note group,forming a“progress of change”just like a long-roll sound landscape painting.Relations between human beings and landscape was represented through cello and orchestra,inspired by the composer’s Chinese philosophic and aesthetic mood.
出处
《音乐艺术（上海音乐学院学报）》
CSSCI
北大核心
2021年第4期163-179,共17页
Art of Music(Journal of the Shanghai Conservatory of Music)
