清代中后期词坛对蒋捷及其《竹山词》的接受——以常州词派为核心

The Acceptance of Jiang Jie’s Zhu Shan Ci in the Middle and Late Qing Dynasty: Changzhou Genre as the Core

清代是宋末词人蒋捷及其《竹山词》接受史走向繁盛的重要时期。基于清初以来几大词派的认知与实践,中后期词坛对《竹山词》的受容不断累积丰富。除去凌廷堪的理论思考,酷似蒋捷的词人刘嗣绾、周稚圭等词作表现,重比兴寄托的常州派影响着当时词坛走向,宏通有变的周济、褒贬不一的陈廷焯等代表性词人词论,对蒋捷《竹山词》的深广传播具有节点意义,使其得以进入更为独特的接受视野,引领晚清臻于集大成式总结。

The Qing Dynasty is an important period for Jiang Jie and his Zhu Shan Cito flourish. In the middle and late Qing Dynasty, based on the cognition and practice of several major schools since the early Qing Dynasty, the reception of Zhu Shan Ciis increasingly enriched. In addition to Ling Tingkan’s theoretical thinking,the performance of Liu Siwan, Zhou Zhigui and other writers like Jiang Jie, the Changzhou genre which attaches great importance to comparison and reliance influences the trend of poetry. Zhou Ji and Chen Tingzhuo’s different praises and criticisms have node significance to the deep and wide spread of Jiang Jie’sZhu Shan Ci, which enables it to enter a more unique perspective of acceptance and lead the late Qing Dynasty to achieve a great success formula summary.