摘要
现代社会中传统艺术的独特性与局限性并存,使其逐渐呈现边缘化状态,现阶段大多数的研究只是针对于传统艺术形态本身进行升级,例如现代材料的融入,形式手法的转变等,对于传统艺术介入空间,也基本是强制性的主题关联,并没有从两者的共通性以及合理性出发。空间陈设既要有地域性与民族性,又要兼具现代性与开放性,注重东方精神的视觉呈现与艺术表达之间的关系。以此将中国传统文化的内涵与现当代审美融会贯通,展现其特有的主题性、表现性和专属性。基于现当代人的审美趋势与传统文化的发展,笔者试图将传统主题的当代性转化介入到空间陈设中,通过对特定案例的分析,从两者之间的“故事主题”“表现形式”以及“气质营造”三个角度切入,解读以“传统主题”的当代性转化介入陈设空间探讨的可行性。
In recent years,the uniqueness and limitations of traditional art coexist,making it gradually marginalized.At present most of the research aim at the upgrade of traditional art form itself,such as the integration of modern materials,change of techniques and form,etc.The intervention of traditional art in space is basically a compulsory subject correlation,without starting from the commonness and rationality of the two.The space layout should not only have regional and national characteristics,but also have modernity and openness,and pay attention to the relationship between the visual presentation of oriental spirit and artistic expression,so as to integrate the connotation of Chinese traditional culture with modern and contemporary aesthetics,show its unique thematic,expressive and exclusive attributes.Based on modern and contemporary people's aesthetic trend with the development of traditional culture,the author tried to turn the traditional theme of contemporary intervention into the space layout.Through the analysis of specific cases,from the three Angle of"story theme"between the two,"form"and"temperament creation",this paper interprets the feasibility of introducing the contemporary transformation of"traditional theme"into the display space.
出处
《家具与室内装饰》
北大核心
2022年第2期116-119,共4页
Furniture & Interior Design
基金
广东省教育厅基金项目(2020CJPT003)。